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Tangled in Moonlight: Unshifted (Ava and Lucas)

Chapter 243
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Chapter 243 Lisa: Strange Introductions

LISA

Wherever | am, it's huge.

We've taken at least three or four turns, and I've already forgotten how to get back. Was it left first, or right? The

last turn was to our right. Wait... was it?

Shit.

Every t| lag behind, trying to map this place in my head—which is little better than a toddler's scribbling at

this point, with my confusion over lefts and rights—the tiny woman turns and scolds me, tellingto pick up my

feet.

Before, | would have given her ssort of smartass comment and maybe even slowed down.

But now, my body feels cold sweat at the idea of making her angry. Even if I'm a prisoner, at least I'm a clean

and comfortable prisoner here. | don't want to go back to the previous standard of kidnapping.

So | shut my mouth and hurry behind, wondering how she can be so freaking fast with such tiny legs. She's

probably the size of a kindergartener, but faster than a full-grown adult.

What bizarre witchcraft is that?

| force myself to focus on the path ahead, ignoring the endless parade of closed doors lining these stark

corridors. No pictures, no decorations, not even a potted plant breaks up the monotony. Just door after identical

door, their handles gleaming dully in the harsh overhead lighting.

The silence is oppressive. Our footsteps echo off the bare walls, amplifying the sound until it feels like we're

being followed by an army. | resist the urge to look over my shoulder.

"Keep up," my tiny guide snaps for what feels like the hundredth time.

| lengthen my stride, closing the gap between us. Seriously though, how can someone so small move so fast?

We round another corner, and | blink in surprise. Windows. Actual windows line this hallway, letting in natural

light.

Wow.

The sun.

| haven't seen it in so long.

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Before | can get a good look outside, my guide veers sharply to the right. She pushes open a set of glass double

doors, usheringthrough with impatient gestures.

Heat and humidity hitlike a wall. | stumble, momentarily disoriented by the sudden change in environment.

We're in skind of massive greenhouse. Lush greenery surrounds us on all sides, climbing trellises and

spilling out of planters. The air is thick with the scent of damp earth and tropical flowers.

Beads of sweat immediately form on my skin. My simple cotton outfit, so comfortable in the air-conditioned halls,

now feels stifling.

My guide marches ahead, seemingly unbothered by the giant blanket of warmth pressing down on us. | trail after

her, trying not to trip over the uneven stone path winding through the foliage.

As we walk deeper into this indoor jungle, a thought strikeswith the force of a physical blow. | could run.

The realization freezesin place. | could turn around right now and bolt. My guide is tiny. | could easily

outpace her if | tried, right?

But then what?

The momentary surge of hope fades as quickly as it appeared. | have no idea where | am or how to get out of

this place. Those endless, identical corridors would beca maze. I'd be caught in minutes, if not seconds.

And who knows what punishment would awaitfor trying to escape?

| shake off the fleeting fantasy of freedom and hurry to catch up with my impatient guide.

She leadsto a secluded area of the greenhouse, where an equally diminutive old man sits at a table. His

beard cascades to his feet, and he peers through spectacles at a newspaper covered in unfamiliar script. A lavish

spread of tea and snacks adorns the table before him.

Incongruously, it's sized for normal adult humans.

He's sitting in skind of booster that gets him to the level he needs to reach the table.

I'd laugh, but I'm too worried about my fate.

Without warning, my guide shovesinto a chair. | stumble, barely catching myself as | fall into the seat. The

woman bows to the old man and vanishes, leavingalone with him.

Silence stretches between us as | watch him sip his tea. The greenhouse's humid air clings to my skin, making

in this weather. Actually, I'm just wishing to be anywhere else in the world.

Well, maybe not anywhere. Would rather not be in my cell.

But even as | think that, there's something about this old man that putsat ease. A sense of warmth, of

friendliness, radiates from him. It's as if I've known him for years, though I'm certain we've never met.

The feeling unnerves me. Why do | feel this way? After everything I've been through, | should be on high alert.

Instead, | find myself relaxing in his presence, my guard lowering despite my best efforts to remain vigilant.

I don't trust it. | can't trust it. This comfort, this sense of safety—it has to be skind of trick. Maybe they've

drugged me. Maybe this whole setup is designed to lullinto a false sense of security.

My fingers dig into the arms of the chair as | force myself to stay alert. | won't fall for whatever gthey're

playing.

The old man turns a page in his newspaper, seemingly oblivious to my internal struggle. | study him, searching

for any hint of malice or deception. His wrinkled face is serene, his movements unhurried as he reads.

Just as I'm about to break the silence myself, he folds the newspaper and sets it aside. His gaze meets mine, and

I'm struck by the intensity in his eyes. They're old eyes, yes, but sharp and clear, almost terrifying with the way

they seem to stare straight into your soul.

"Lisa Randall," he says, his voice surprisingly strong and deep for such a small man. "Welcome."

My non his lips sends a jolt through me. How does he know who | am? A thousand questions race through

my mind, but only one makes it past my lips.

"Who are you?"

He smiles, the expression crinkling the corners of his eyes. "lI am the one who ordered your extrication, my dear."

He falls silent, watchingexpectantly. The pause stretches on, pregnant with unspoken meaning. | rack my

brain, trying to decipher what he wants from me.

Then it hits me. He's waiting for my gratitude.

"Oh," | stammer, caught off guard. "Um, thank you. | guess."

The words feel hollow, inadequate. But what else can | say? I'm grateful to be out of that hellhole, yes, but | have

no idea if this situation is any better. For all I know, I've jumped from the frying pan into the fire.

Still, manners compelto add, "Why did you rescue me?"

The old man's smile widens, and he gestures to the spread before us. "Please, help yourself to stea and

refreshments. We have much to discuss, Lisa Randall, and I find such conversations are always more pleasant

over a good cup of tea."

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| eye the food warily. It looks delicious—delicate sandwiches, scones with clotted cream, and an assortment of

pastries that make my mouth water. But years of watching crdocumentaries have taughtto be cautious

of accepting food from strangers, especially when I've just been kidnapped.

Actually, scratch that. | really only learned the lesson from drinking that damn punch right before—well. You

know.

"I'd rather not, thanks," | say, trying to keep my tone polite despite my suspicion. "I'd prefer if you just answered

my question."

The old man's eyebrows rise slightly, but his smile doesn't falter. "As you wish. Though | assure you, the food is

quite safe. | have no desire to harm you, Lisa. Quite the opposite, in fact."

He pauses, taking a sip of his tea before continuing. "As for why | rescued you... well, that's a rather complex

question. The simple answer is that you were in danger, and | had the means to help. It seemed the right thing

to do."

| snort, unable to contain my disbelief. "The right thing to do? You don't even know me. Why would you go to all

this trouble for a stranger?"

"Ah, but you're not a stranger to me, Lisa," he says, his eyes twinkling with amusement. "I know a great deal

about you. Your friendship with Ava Grey, for instance. Your relationship with the Westwood beta. And your fate,

decided long before your birth."

My blood runs cold at his words. How does he know all this? | lean forward, my voice dropping to a harsh

whisper. "Who are you? Really? And what do you want from me?"

The old man sets down his teacup, his expression growing serious. "Who | am is not important right now. What

matters is that | am someone who wishes to help you—and, by extension, to help your friend, Ava."

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